Paul Roe is a musician with particular interests in performance, research, education and participative music making. He has a PhD in Performance Practice from the University of York, a Masters Degree in Community Music from the University of Limerick and is a Fellow of Trinity College, London. He is a performer (clarinet and bass clarinet) of international repute and was Associate Principal Clarinet of the National Symphony Orchestra of Ireland from 1987-2000. He has been a member of Concorde Contemporary Music Ensemble since 1989 and has given solo, ensemble and orchestral performances throughout Europe, Asia and America.
Paul has performed with many distinguished musicians and ensembles including, Con Tempo String Quartet (Romania/Ireland), Crash Ensemble (Ireland), George Lewis (Trombone-USA), Harry Sparnaay (Bass Clarinet-Holland), Garth Knox (Viola-France), Lenneke Ruiten (Soprano-Holland) and Finghin Collins (Piano-Ireland). He is a member of several chamber music groups, with whom he plays a wide range of music from classical to contemporary repertoire. In recent years he has performed with these groups in Chicago, Atlanta, Vilnius, Paris, Rotterdam, York, London, Barcelona, Ljubljana, Bratislava and Riga. He is a keen advocate for the composition and performance of contemporary music and as a member of Concorde regularly performs new music both nationally and internationally.
Paul’s career profile in music is broad based with ongoing commitments in performance, teaching, examining and community music. He is a member of the teaching staff at the Royal Irish Academy of Music in Dublin. He also works in the area of collaborative arts practice for a variety of organizations including Dublin City Council, Music Network, the National Youth Orchestra and the Arts Council of Ireland.
Paul’s career is distinguished by an ongoing interest in creative development. He is currently working on a number of performance projects in chamber, contemporary and folk musics. In 2008 Paul received a Fulbright Scholars award to study Klezmer performance at Mannes College of Music, New York, where he worked with the internationally acclaimed clarinettist David Krakauer.
For further information please visit:
Roe, Paul, ‘It’s good to talk: collaboration as creative process‘, paper presented at the Orpheus Institute Seminar, York, 2010.
Roe, Paul, ‘The creative performer – the listening composer: searching together‘, paper presented at Performa: a conference on performance studies, Aveiro Portugal, 2009.
Roe, Paul, ‘A phenomenology of collaboration in contemporary composition and performance’, (PhD dissertation, University of York, 2007).