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Research Events

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BMus Year 4 Capstone Presentations

Thursday 14th May - Friday 15th May 2026

Lecture Theatre, RIAM

All Welcome

Thursday - Programme

10.00: Anastasia Despotis, When Loops Forget: Repetition and the Simulation of Nostalgia & Memory Loss in Electronic Music

10.45: Celia Yizhen He Chu, Composing Pandemic Memory: Three Years, Three Nations

11.30: Jack Doyle, The Mat Hears Everything: A Practice-Led Exploration of Sound in Brazilian Jiu Jitsu and Judo

13.15: Yulianna Stoi, What are the similarities and differences between piano music in Ireland and Ukraine during the late-nineteenth and early-twentieth centuries?

14.00: Zekai Xu, Nature Étude: Composing Electronic Soundscapes of Seasonal Transition

15.00: Aoife O'Donovan, Does the integration of urban and natural soundscapes in a musical composition influence the listener’s perception of the music?

Friday - Programme

10.00: Tracy Lin Chin, How can classical music influence the developmental process for video games?

10.45: Jonathan Blake, S.O.A.P: A Fresh, Clean Take on Originality

11.30: Aoife Goodison-Lawlor, How can music be used as a powerful means of communication in everyday life for non-speaking autistic children?

13.15: Yan Shpak, When music meets poetry: how can the relationship between poetry and music shape contemporary composition?

14.00: Rohan Harron, An Exploration of New Compositional Workflow through Sampling and Audio Processing Techniques

14.45: Eva Kavanagh, An Examination Between Physical Fitness and Vocal Endurance in Opera Singers

MMus Year 2 Research Presentations

Friday 15th May 2026

Organ Room, RIAM

All Welcome

Programme

09.45: Glen Carr, Programme Building for Youth Orchestras in the Dublin Region

10.30: Jeannette Bogado, Casimir Ney’s Prelude No. 15 for Solo Viola: From the Performer’s Perspective

11.30: Yifan Shao, A Harmonic Analysis and Performance Interpretation of Schubert’s Piano Sonata in A Major, D.664

12.15: Kwan Yee Lim, Pianism for Small Hands: Strategies and Adaptations for Overcoming Technical Challenges in Rachmaninoff’s Piano Sonata No. 2, Op. 36 (1913)

14.00: Tim Meng Kin Chong, A Pianist’s Perspective on and Comparative Assessment of the Orchestrations of Mussorgsky’s Pictures at an Exhibition by Maurice Ravel and Sir Henry Wood

14.45: Evelyn Abiodun, The ‘Forgotten Concerto’: A Performance Guide for Samuel Coleridge-Taylor’s Violin Concerto in G Minor

15.45: Remi Ludick, Viola Transcription: A Historical and Theoretical Analysis with Focus on Isabella Leonardas's Sonata No.12, Op.16

16.30: Éadaoin Hassett, How to prepare an informed performance of Joaquín Turina's Poema en forma de canciones - a translation, pronunciation and interpretation guide for non-Spanish speaking singers


Amplify Research Day 2026

Thursday 12th March

Lecture Theatre, RIAM

Draft Schedule - May be subject to change  

10.30-10.35: Welcome and Introduction

10.35-10.45: Grace Minnock (MMusPerf), An Assessment of Dorothy Parke within the Context of Twentieth-Century Irish Women Composers

10.45-10.55: Jakub Ladowski (MMusPerf), Early Manuscripts and Networks: Revisiting Charles Villiers Stanford’s Formative Years

10.55-11.10: Philip Shields (NLI), Bringing Music Collections to Life: an NLI/RIAM collaboration

11.10-11.20: Katie Ní Mhaoláin (MMusPerf), Analysing the technical virtuosic potential of the viola writing across Bartok’s compositions: a possible pathway for developing advanced viola technique?

11.20-11.30: Filip Baszynski (MMusPerf), Playing with injuries as a pianist in Ireland: How does an individual manage and prevent playing-related strain in Ireland, and create possible paths towards improving the lack of services for injured musicians/pianists

11.30-11.50: Tea & Coffee

11.50-12.00: Hannah Greenstein (MMusPerf), The Struggle to find Musical Heritage and Identity in the United States: Case Studies of Dvorak’s Sonatina Op. 100 (for cello) and Cello Concerto in B minor from his American Period (1892-895)

12.00-12.10: Kamile Fokaite (MMusPerf), Applying Meisner technique to enhance authentic emotion in opera performances

12.10-12.35: Xiangyu Zhang (DMusPerf), The Evolution of Chinese Oboe Repertoires: History, Innovation and Cultural  Synthesis

12.35-12.45: Lina Manjarrés (MMusPerf), Embodied Narrative and Stagecraft in Violin Performance: Expanding Communicative Possibilities in Chamber Music 

12.45-12.55: Ella Tyrrell (MMusPerf), Echoes of the colliery: The influence of the British Brass Band tradition on solo trombone repertoire

13.00-14.00: Lunch (Not provided)

14.00-14.25: Mete O'Reilly (DMusPerf), Leylâ and Mecnun through the lens of tenor vocal performance: situating the role of Mecnun within its literary, philosophical, and musicological contexts

14.25-14.35: Sophie Ní Mhaoláin (MMusPerf), The art of self-accompaniment: how old practices can be reimagined for contemporary classical musicians through a historically informed perspective

14.35-14.45: Hedwig Hauskeller (MMusPerf), Walking the Line Between Control and Surrender: Finding Physical and Expressive Freedom in Classical Vocal Performance

14.45-15.10: Connor Wilcox (DMusPerf), Eccentricity and the experimental: a comparison of chromaticism in Thomas Roseingrave’s Harpsichord Suites and Alessandro Scarlatti’s Andate o miei sospiri

15.10-15.25: Break

15.25-15.50: Kim Fallen-Bailey (Musicianship Faculty), IncluMusic: Embedding Inclusive Music Practice: Outcomes and Learnings from the IncluMusic Programme

15.50-16.05: Jonathan Nangle (Academic Faculty), Recreating the Invisible Mechanics of Sound: Restoring a harpsichord through 3D printing

16.05-16.30: Órán Halligan (DMusPerf), Irish traditional melody and the development of Fantasia style in early nineteenth-century Dublin

16.30: Closing 


RIAM Guest Lecture Series 

A selection of previous Guest Lectures are available to view on the RIAM YouTube Channel.

RIAM Guest Lecture Playlist

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